Creative Writing (Poetry): “Strange Conscription: Ekphrastic Portraiture in Sonnet Form”
Strange Conscription:
Ekphrastic Portraiture in Sonnet Form
Honoree, 2021 Ora Mary Pelham Poetry Prize
lenny bruce
with newports and dutch cleanser i will explicate
the life and times of lenny bruce,
comedian. he was, in all respects,
an honest man: the son of migrant jews,
he served a year in navy blue before
returning to new york (where he was born)
to try his hand at comedy, performing
his “unnatural act” on stage. in forty-seven,
brooklyn gigs paid plates of free
spaghetti, all he had to feed his daughter
(born with honey b, a stripper he
had dearly loved). in sixty-six, in hollywood,
he died. “my life—” he’d stood and slurred
one night, “my second-best four-letter word.”
les charbonneau
with every rotting hemlock trunk he stripped
of bark—and only grew the mass of ceaseless
trees—the trapper cursed his strange conscription
with those damned explorers. “jean-baptiste,
mon fils: viens, viens, aide ton papa!” the boy,
no more tree-cutting skill than that which his
eight months among the sagamores and voyageurs
afforded him, ignored the business
of the elder charbonneau and floated
tawny fingers upward toward his mother’s
face. she touched them to her lips. her throat
constricted as her husband felled another
tree. the younger charbonneau’s eyes followed.
she—the woman charbonneau—sighed, swallowed.
joseph merrick, ‘the elephant man’
his head, too large to lie and rest for even
wrinkles in a wretched night, reclined
upon a stack of feathered mats, naïve––
to think a normal sleep would soothe the mind
of such a beast. “the elephant,” they called
him; christian name long-banished to the drawer
beside his hospice bed. therein (recalled
the mangled soul, within whose mien there moored
a heart intact, a heart intact!) a scrawled
calligraphy there lay: an envelope
whose tender, looping script he—if at all—
would look upon alone. that maudlin hope
to which he clung sustained his fallow years;
no rest, no love, no trunk to suit his ears.
ring, looks old, of unknown provenance
a mother’s ring’s repose, among the grooves
and flows of human hand, contains a story
to itself—a timeline—as behooves
an object whose design demands a quarry.
another matrimony sold for scrap,
a wedding band of forty years whose staying
power inexplicably evaporated
at the wake? another way,
in father truman’s words, to make the sin
that she and you created pure before
the lord? a little piece of her, an instant
love, a true memento more important
than a memory? a future finger yet
untold, to have, to hold, to pay the debt?